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Piero in the eighth century Church


revenue from various sources, the controversy between Cardinal Cormac Murphy-O'Connor, the Catholic primate of England and Wales, and the National Gallery in London.
The cardinal believes that works such as the Baptism of Christ by Piero della Francesca's National Gallery should not be placed in a museum, but in a church (and Catholic).
This is an interesting topic on which you could do a lot of comments from the fact that often these paintings are in museums because the churches have them at the time sold.
Forget it every consideration.
I would like to stress that if such a thing had happened in Italy would certainly have been thrown into politics, with ministers or prime ministers who have taken the opportunity to point out with thoughtful seriousness, the Magisterium of the Church's opposition to the people of the unbelievers (the 'current), and against the opposition (now) that would attempt to denucnsiato serious exploitation, scrambling in same time to seek a compromise that does not irritate the Catholic hierarchy. Instead
London responses to the comments of Cardinal came, of course, the National Gallery or the world of scholars. Carry
quote a few sentences:

Luke Syson, curator of collections of Italian Renaissance painting at the National Gallery, "Ours is a space for the contemplation of great art and the subjects represented in it;

Lord St John of Fawsley , former Minister for Culture: "The Cardinal gave us a theological reading brilliant, but who would pay the bill for the acquisition?";

Rachel Campbell-Johnston, art critic of the main Times of London: "What to bring them to church is a foolish dream, first of all because the British clergy is not as rich as the popes of the Medici family and also because the Church has definitely higher priority than dealing with security systems and Climate control mechanisms that serve to preserve these historical masterpieces. "

With the proper and respectful silence of His Britannic Majesty and the Prime Minister.

(photo: Piero della Francesca, Baptism of Christ, 1448-1450, from the abbey in Borgo San Camaldolese Sepulchre, London, National Gallery)